The
Literature of any age, being a mirror to life and the replica of attitudes,
cannot be attributed to a single factor or even combination. There are always a
host of variables lurking behind and at the forefront to manoeuver the
literature of a particular age. This is precisely true in case of English
literature of Chaucer’s age. It took centuries of turmoil, political and
religious upheavals, and the merging of different races which led to the
environment that was suitable for Chaucer and his contemporaries to create
something genuinely unprecedented English.
Broadly
speaking, the major feature which pervades all others was the emergence of
National Pride in English people that is ultimately reflected through their
literature. There are three main reasons of this English Pride: first, the amalgamation of different
races taking place since Saxons’ time ultimately shaped into a common shared
culture of eight centuries together; secondly,
the recent conquests of Edward III against the former lords of French gave them
a sense of supremacy; thirdly, the
Scottish war of independence ensured them of being a nation.
Obviously,
as the name of this age suggests, Chaucer stands tall among all his
contemporaries because of the universality of the characters of Canterbury
Tales and the rhythm of language he accorded to the Midland dialect. The
nationalism was so uniformly divided among all the major dialects that all of
them stand different from others. The English language was divided
into a number of dialects which were employed in different parts of the
country. The four of them vastly more prominent than the others were: The
Southern, The East Midland, The West Midland and The Northern or Northumbrian. The
writers of each dialect were strikingly different from others according to
their local traditions and literary preferences. Each was fighting for its own
supremacy but The East Midland, where now Oxford and Cambridge are located,
emerged as “The King’s Accent” because of the quality and magnitude of
literature it produced in the age of Chaucer. Geoffrey Chaucer and John Gower
belonged to the Midland Creed. According to a renowned critic, “What Dante did for the dialect of
Florence; Chaucer did for the East Midland dialect of England.”
Poetry:
Poetry was the most popular genre of
literature tried in the Age of Chaucer. There were a number of poets who wrote
in various dialects but the notables whose works had quality and flare of the
age were a few. These few were, however, extraordinary because each of them is
genuine who contributed to the development of poetic culture in that age at
least.
Chronologically
speaking the first poet of the 14th century was John Barbour with
his “The Bruce”. It is a 13,000
lines poem written in praise of the great Scottish freedom fighter Robert Bruce
who defeated Edward II in 1314. The poet as well as the subject clearly
suggests that it was written in The Northumbrian dialect.
“The Morning Star
of English Poetry” Geoffrey Chaucer
born in London appears the horizon. Shaw
divides his poetry into two categories: Chivalric and Of the Italian. The
chivalric poems represent the Anglo Norman touch in his age. The poems are: “Romaunt of the Rose”, “Assembly of Fowls”,
“Court of Love”, “Cuckoo and the Nightingale”, “House of Fame” etc. The
poems written under Italian influence stand higher than the contemporary. Here
we find the masterpiece, the expression of a genius written with heart and soul
under the shadow of universal spirit_ _ “The
Canterbury Tales” , “Legends of good
Women”, “Troilus and Cresseide”.
William Langland, belonged to the West
Midland dialect, who spoke loud in the congregation of poets. His “Piers Plowman” is a great poem having
the rudimentary images of the pastoral poetry of 15th century. His
other works are “Do Wel”, “Do Bet”, “Do
Best”, “The Disposition of Richard II”.
John Gower. Chaucer speaks
of his friend “Moral Gower”. He was Learned, tedious, but popular in his day.
His poems are “Confessio Amantis” and
“Vox Clamantis”.
Prose:
Although the literature of 14th
century is known chiefly for the quality poetry it is pregnant with, the prose
herein also carries the worth because of the religious touch and literary
importance. There are a couple of names like Sir Thomas Malory (King Henry IV) who wrote “The Byrth”, “Lif” and “Actes
of Kyng Arthur”; and also Sir John
Mandeville with his quaint and interesting “Travels”, but the tallest of all the prose writers of this age is John Wycliff with his Translations of Scriptures in 1380 and
1382. His labours in spreading the scriptures were so influential that he has
been called the morning star of the Reformation.
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